Music Is My Business Podcast

EP. 31 How To Collect Backend Money From TV Placements

On this episode of the music is my business podcast I hosted a live Q and A about: 
Is song trader a good look if I want to get into sync?
How do you go about dealing with backends?
Do your collabs work on a 50-50 split? And is that distributed fairly through royalty companies or is it easier to just pay an artist a one-off fee for say a vocal feature or a sax player for example?
Is it a smart move to find space for a recording studio if you don't have clients?
Should I take down my submissions from other music libraries if they get licensed through one?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Flodesk - https://www.clintproductions.com/flodesk
Producer Mentorship - https://www.producermentorship.com

EP. 30 Why Metadata Is Important In Sync Licensing

On this episode of the music is my business podcast I hosted a live Q and A about: 
Metadata and the importance of it. 
What are your feelings about TAXI?
How do you create such great space and separation in your mixes, any particular plug-ins or techniques? 
What's an excellent microphone for both vocals and acoustic guitar for bedroom studio setup, not too expensive?
How do you create consistent content? Every single week?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
How To Structure Instrumentals for TV: https://www.clintproductions.com/shop
Urban Mixing Made Simple Video Course: https://www.clintproductions.com/shop

EP. 29 Things To Avoid When Getting Started In Sync Licensing

On this episode of the music is my business podcast I hosted a live Q and A about: 
Four things to avoid if you’re starting to get into sync licensing.
Do you need to formerly copyright the music before you submit? And if you're the writer and publisher of a song, do I need to provide both IPI’s from ASCAP?
What's the easiest type of music licensing to typically get and how much would you typically get paid?
Which PRO do you feel is the best for music licensing?
What's the major difference between a license and a sync deal offer?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Free 6 Step Guide: https://www.clintproductions.com/6steps
Producer Mentorship: https://www.producermentorship.com

EP. 28 Every Producer Needs To Do This In 2022

On this episode of the music is my business podcast I talked about what every producer need to do in 2022 that will contribute to their success: 
Get clear and specific on what your goals are.
Get organized and backed up.
Get educated and invest.
Take action while the inspiration is there.
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Flodesk - https://www.clintproductions.com/flodesk
Producer Mentorship - https://www.producermentorship.com

EP. 27 Building Relationships In Sync Licensing with Eric Campbell

On this episode we talk with Eric Campbell and dive into the following topics:
How did you find out about sync?
Have you experienced beat blocks or whatever in the sink space?
When you're reaching out to a music library or a music supervisor, should you send all of the different genres you know how to do or like one playlist, or do you kind of focus on a specific genre per pitch? 
What kind of movie genre is best for instrumentals? 
Is taxi a good first start that you would recommend people do now?
Instagram: https://www.Instagram.com/Ericmakesmusic
Website: https://ctrlcamp.com
How To Structure Instrumentals for TV - https://www.clintproductions.com/shop
Urban Mixing Made Simple Video Course - https://www.clintproductions.com/shop
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
 

EP. 26 How He Went From 0 to over 100 TV Placements with Walt Woods

On this episode we talk with Walt Wood and dive into the following topics:
How is copyright handled?
Do you record a lot of live instrumentation on some of the cues that you work on?
What happened that made you pull the trigger on trying to start getting TV placement? 
What kind of terms were you looking for specifically in regards to licensing contracts?
Do you make any beats for cinema? 
Follow Walt in IG: https://www.instagram.com/walt_woods
Free 6 Step Guide - https://www.clintproductions.com/6steps
How To Structure Instrumentals for TV - https://www.clintproductions.com/shop
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio

EP. 25 How Sync Licensing Can Help Indie Artists with Deraj

In this episode I had the chance to chop it up with Hip Hop artist Deraj on his journey of being signed to a label to finding success in sync licensing as an indie artist. We also dive into the following topics:
What would be the best way to get in the sync?
What was your first step being focused in sync? Like, was it through collaborations or did you go the library route or where they're just strategic partnerships?
How did you take those early placements and really use them to your advantage?
What was your very first placement?
Do you ever experience writer's block in project mode? And what do you do to get back to your creative zone?
Free 6 Step Guide - https://www.clintproductions.com/6steps
Urban Mixing Made Simple Video Course - https://www.clintproductions.com/shop
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/link
Learn more about Deraj: https://www.justderaj.com
Follow Deraj on IG: https://www.instagram.com/justderaj

EP. 24 Getting TV & Film Placements With Major Publishers feat. Mahogany Beatz

In this episode we talk with 2X Grammy Award Winner producer Mahogany Beatz and his transition from producing for major Hip Hop artists such as Jay-Z, Dr. Dre, RuffRyders, etc. to producing music for TV & film. We also dive into the following topics:
When did you find out about the whole sync licensing space
When did your first placement happen
So working with Sony, which is a major publisher, do you still pitch that song non exclusively to many opportunities
How many types of templates do you use
Does Sony accepting unsolicited submissions
Awesome Creator Academy - https://www.clintproductions.com/aca
Free 6 Step Guide - https://www.clintproductions.com/6steps
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/link
Check out Loops and Kicks Academy: https://www.loopsandkicks.com
Follow Mahogany Beatz on IG: https://www.instagram.com/mahoganybeatz