Monday Nov 14, 2022
EP. 52 How That Pitch Solves Problems In Sync with Mark Eckert
Music Is My Business Podcast
The podcast hosted by Anthony Clint Jr. where producers, artists and songwriters can gain insight and learn proven strategies to build and monetize their mus...
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Episodes
Episodes
Monday Nov 07, 2022
Monday Nov 07, 2022
Our guest on this episode is co-founder of AudioShake.ai Jessica Powell and we will dive into the following topics:
How does audioshake.ai work?
How many types of stems does the AudioShake.ai provide?
What do you think about Tiktok’s new stem drop feature?
Is the RX10 Ai doing the same thing to Rebalance?
Can AudioShake.ai separate lead vocals from background vocals and separate background vocals into separate parts?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Urban Mixing Made Simple - https://www.clintproductions.com/courses
Road To 10 Placements - https://www.roadto10placements.com
Learn more about AudioShake: https://indie.audioshake.ai
Use discount code: TAKE50
Follow AudioShake on Instagram: @audioshakeai
Monday Oct 17, 2022
Monday Oct 17, 2022
On this episode of the music is my business podcast I hosted a live Q and A session about:
How often do your royalty checks come and do you get them from multiple streams?
How would you compare producing for artists compared to shows and ads?
How is your experience with TuneEdge if you have worked with them before and how often do you add new beats to libraries you’ve in?
How do you feel about “One-Stoppers” working non-exclusive deals on your behalf?
Can you elaborate on Roth IRA accounts?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Producer Mentorship: https://www.producermentorship.com
Road To 10 Placements: https://www.roadto10placements.com
Monday Oct 10, 2022
Monday Oct 10, 2022
On this episode we talk with Nicole Riolo and dive into the following topics:
Should we bounce and submit only AIFF files and add metadata to that file as well?
Is the IPI number only assigned by your PRO on an actual released beat or track?
I have a full song with lyrics I am considering submitting for sync licensing, is the process same as submitting beats or different?
Tips in getting in with only creative sync experience
Before I start pitching my music to music libraries, should I register my demo track with my PRO? In general, should I register all tracks with my PRO before submitting?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Urban Mixing Made Simple - https://www.clintproductions.com/courses
Producer Mentorship: https://www.producermentorship.com
Follow Nicole on Instagram: @nicole_riolo
Monday Oct 03, 2022
Monday Oct 03, 2022
On this episode of the music is my business podcast I hosted a live Q and A session about:
Is representation suggested if pitching sync to a specific TV show?
How do you join libraries? How do you find them? Are they Genre specific?
What would you say gets placed more? Full songs or beats?
Should we copyright our music before pitching it?
Is it worth it to send tracks to non exclusive/royalty free libs or is this market oversaturated already?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
How To Structure Instrumentals for TV: https://www.clintproductions.com/courses
Road To 10 Placements: https://www.roadto10placements.com
Monday Sep 26, 2022
Monday Sep 26, 2022
On this episode we talk with Deborah Mannis-Gardner and dive into the following topics:
Who should a filmmaker approach to clear a song for distribution versus festivals?
When it comes to indie clearances versus major do you think there is a different level of like complication when it comes to clearing stuff?
How does pricing work in clearing samples? Is it an hourly rate or is it based on the amount required to sample it?
Is it better to do a sample beat or to create your own and send it out?
What about Tracklib for clearing samples?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Urban Mixing Made Simple - https://www.clintproductions.com/courses
Producer Mentorship - https://www.producermentorship.com
Learn more about Deborah/DMG at https://www.dmgclearances.com
Tuesday Sep 20, 2022
Tuesday Sep 20, 2022
On this episode we talk with SEIDS and dive into the following topics:
The importance of learning and mentorship
How SEIDS got into production and Logic Pro X
How to use social media to work with brands
How to balance projects when you’re in high demand
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Urban Mixing Made Simple - https://www.clintproductions.com/courses
Social Media Growth for Producers - https://www.clintproductions.com/courses
Learn more about SEIDS: https://www.seids.co/links
Follow SEIDS on Instagram: https://www.instagram.com/seids_
Follow SEIDS on Tiktok: https://www.tiktok.com/@seids?_t=8VXjWR6vKLG&_r=1
Monday Sep 05, 2022
Monday Sep 05, 2022
On this episode we talk with Latte Lawyer and dive into the following topics:
How long does it take for the trademark to be assigned to a reviewer and for you to get your certificate back?
What’s the difference between a trademark and service mark and is there a catch at all registration or do they need to be registered separately?
If you own a trademark name and someone else is using the same name(musically) on platforms like spotify, how can the trademark owner stop them from using the name and removing the music?
When a word or name status is dead can that be purchased or transferred to someone else?
Would you recommend working with a sync library on an exclusive basis over non exclusive? What are your views on sync agents?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Urban Mixing Made Simple: https://www.clintproductions.com/courses
Road To 10 Placements: https://www.roadto10placements.com
Learn more about The Latte Lawyer: https://www.thelattelawyer.com
Follow The Latte Lawyer on IG: https://www.instagram.com/thelattelawyer
Tuesday Aug 23, 2022
Tuesday Aug 23, 2022
On this episode of the music is my business podcast I hosted a live Q and A session about:
Should producers get 20% on royalties from an artist producing an album?
When pitching productions, should I stick to one style (within hiphop) or try to show different styles (i.e. drill, trap, boom bap)?
How do you feel about giving up writers' share of royalties to get placements?
Do you prefer going through libraries or reaching out to supervisors directly?
Can a track be placed multiple times by different productions? Or can one track only be placed for one show?
Follow Clint on IG: https://www.instagram.com/clintmusic
Watch Clint on Youtube: https://www.youtube.com/aclintjr
Link To Resources: https://www.clintproductions.com/linkinbio
Road To 10 Placements: https://www.roadto10placements.com
Urban Mixing Made Simple: https://www.clintproductions.com/courses